Wednesday, February 23, 2011

Black Swan

With Aronofsky (Pi, Requiem for a Dream, The Wrestler), you know going in that you are going to get something gritty, raw, and real. You know that, even if it's good, it's going to be hard to process. But when he gets a hold of something, really gets a hold of it, you won't be able to look away, no matter how hard it is to watch. 


"Black Swan" is no exception. In many ways this is the most Aronofsky of his films. His style is spot on and works exquisitely with the world he is presenting. It's surprising because he normally shows the dirty, gritty, and ugly places; where as everything in this film is clean and polished. But don't let that fool you; he saved the dirt and grit for the characters.

Natalie Portman as Nina was incredible. Her transformation through the movie is disturbing and very intense, and Portman handles it incredibly well. She plays a very flawed character, making the role even tougher. Nina is not the greatest ballet dancer in the world by any stretch of the imagination. She has all the technique and is in fact a master at it, yet it is her emotion that she has the problem with. Portman almost had to act her character poorly to capture the multiple layers correctly. The unfitting facial expressions and awkward movements are part of the character of Nina, and Portman somehow makes it all work to a great advantage that makes the film even more fascinating.


The rest of the cast is incredible as well. Mila Kunis takes on a much more serious and more complex role than she is used to. Her character has very many layers, and doesn't fit into one specific archetype, mainly for reasons that would spoil the movie. Vincent Cassel is the sleazy and inappropriate director of this ballet production. He is the driving force behind much of the tragedy of the film, and he is a character you love to hate.


Not everyone will love this movie, actually most people will probably dislike it. 



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